Saturday, November 25, 2017

Burial Chamber/Ripping The Dead/2017 Full Length Review


  Burial  Chamber  are  a  band  from  Australia  that  plays  a  very  brutal  form  of  gore/death  metal  and  this  is  a  review  of  their  self  released  2017  album  "Ripping  The  Dead".

  A  very  heavy  and  brutal  sound  starts  off  the  album  while  the  vocals  are  mostly deep  death  metal  growls  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to them  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  as  well  as  the  music  being  heavily  rooted  in  the  90's.

  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  dark  and  melodic  fashion  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  riffs  also  bringing  in  a  decent  amount  of  dark  sounding  melodies  and  the  mid  tempo  sections  of  the  songs  also  mix  in  elements  of  east  coast  death  metal  as  well  as  the  music  always  remaining  very  heavy  and  brutal  and  they  close  the  album  with  an  instrumental.

  Burial  Chamber  plays  a  style  of  gore/death  metal  that  is  very  brutal  and  old  school,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  death,  gore  and  torture  themes.

  In  my  opinion  Burial  Chamber  are  a  very  great  sounding  brutal  gore/death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Corpse  Mutilation"  "Lobotomize  Infected  Beings"  and  "Feed  on  The  Dead".  8  out  of  10.

The Last Of Lucy/Ashvattha/2017 Full Length Review


  The  Last  Of  Lucy  are  a  band  from Huntington  Beach,  California  that  plays  an  experimental  mixture  of  technical  death  metal,  grind  and  mathcore  and  this  is  a  review  of  their  self  released  2017  album  "Ashbattha".

  Ambient  style  soundscapes  start  off  the  album  before  going  into  more  of  a  heavy  and  brutal  direction  which  also  introduces  death  metal  growls  onto  the  recording  along  with  some  high pitched  screams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  When  solos and  leads  are  utilized  they  are  done  in  a  very  technical  fashion  while  the  riffs  also  bring  in  a  decent  amount  of  melody  along  with  the  songs  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  music  also  mixing  both  the  atmospheric  and  heavy  parts  together  at  times.

  Clean  guitars  can  also  be  heard  in  certain  sections  of  the  recording  while  the  saxophones  when  they  are  utilized  bring  in  elements  of  jazz  music  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  at  times  they  music  gets  very  experimental  and  as  the album  progresses  influences  of  groove  metal,  mathcore  and  technical  grindcore  are  added  into  the  music. 

  The  Last  Of  Lucy  plays  a  musical  style  that  takes  a  very  brutal  and  technical  form  of  death  metal  and  mixes  it  with  elements  of  math,  grindcore,  groove  metal,  ambient,  jazz  and  experimental  music  to  create  something  very  original,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  scientific  and  philosophical  themes.

  In  my  opinion  The  Last  Of  Lucy  are  a  very  great  sounding  experimental  mixture  of  technical  death  metal,  grind  and  mathcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Chapter  II  Odyssey"  "Obsidian  Archetype"  and  "Agarttha".  8  out  of  10.

Torso Murder/Self Titled/2017 Full Length Review


  Torso  Murder  are  a  band  from  Cleveland, Ohio  that  plays  a  mixture  of  djent,  death  metal  and  deathcore  and  this  is  a  review  of  their  self  titled  and  self  released  2017  album.

  A  horror  movie  orientated  synth  intro  starts  off  the  album  and  spoken  word  samples  are  also  used  briefly  before  going  into  a  very  fast  and  brutal  musical  direction  which  also  uses  a  great  amount  of  blast  beats  while  the  vocals  are  a  mixture  of  death  metal  growls and  angry  screams.

  Elements  of  djent  and  deathcore  can  be  heard  in  the  mid  tempo  sections  of  the  songs  while  the  solos  and  leads  are  done  in  a  very  melodic  fashion  along  with  the  riffs  also  bringing  in  a  decent  amount  of  melody  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  a  brief  use  of  clean  guitars  can  be  heard  as  well  as  some  progressive  elements.

  Torso  Murder  plays  a  musical  style  that  takes  djent,  deathcore  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own,  the  production  sound s very  professional  for  being  a  self  released  recording  while  the  lyrics  are  a  concept  album  based  upon  based  upon  the  murders  in  the  1930's  done  by  a  serial  killer  that  was  also  known  as  the  Torso  Murder.

  In  my  opinion  Torso  Murder  are  a  very  great  sounding  mixture  of  djent,  deathcore  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Suspended  In  Mind"  "Lady  Of  The  Lake"  and  "Filling  The  Void  With  Corpses".  8  out  of  10.    

Friday, November 24, 2017

Mecalimb/XIII/WormHoleDeath Records/2017 CD Review


  Mecalimb  are  a  band  from  Norway  that  plays  a  melodic  mixture  of  death,  thrash  and  groove  metal  and  this  is  a  review  of  their  2017  album  "VIII"  which  was  released  by  WormHoleDeath  Records.

  Bell  sounds  start  off  the  album  before  going  into  a  very  fast,  heavy  and  melodic  direction  which  also  uses  a  great  amount  of  blast  beats  while  the  vocals  are  a  mixture  of  grim  screams  and  death  metal  growls  along  with  the  music  also  mixing  in  elements  of  modern  thrash  and  groove  metal.

  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  done  in  a  very  melodic  fashion  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  spoken  word  parts  can  also  be  heard  briefly  and  as  the  album  progresses  a  brief  use  of  clean  vocals  can  also  be  heard and  one  track  also  introduces  classical  guitars  onto  the  recording.

  Mecalimb  plays  a  musical  style  that  is  mostly  rooted  in  melodic  death  metal  while  also  mixing  in  elements  of  modern  thrash  and  groove  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  horror  and  life  struggle  themes.

  In  my  opinion  Mecalimb  are  a  very  great  sounding  mixture  of  melodic  death,  groove  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Headless  Existence"  "No  End"  "I  See  Dead  People"  ad  "Nothing".  8  out  of  10.

    

Myth Of A Life/Chimera/Sleaszy Rider Records/2017 EP Review


 
  Myth  Of  A  Life  are  a  band  from  the  United  Kingdom that  has  been  featured  before  in  this  zine  and  plays  a  very  melodic  form  of  death  metal  and  this  is  a  review  of  their  2017 ep  "Chimera"  which  was  released  by  Sleaszy  Rider  Records.

  A  very  dark  sounding  intro  starts  off  the  ep  and  also  gives  the  recording  an  atmosphere  of  a  horror  movie  before  going  into  a  very  heavy  and  melodic  direction  which  is  also  very  heavily  influenced  by  the  Swedish  style  while  spoken  word  parts  are  also  used  briefly  before  adding  in  death  metal  growls  and  screams.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  the  solos  and  leads  are  done  in  a  very  melodic  yet  chaotic  fashion  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  at  times  the  music  adds  in  a  touch  of  modern  extreme  metal.

  Myth  Of  A  Life  creates  another  recording  that  remains  true  to  the  melodic  death  metal  style  of  previous  releases,  the  production  sound s very  professional  while  the  lyrics  cover  dark  and  mythological  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Myth  Of  A  Life  and  if  you  are  a  fan  of  melodic  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Chimera"  and  "The  True  Face  Of  Death".  8  out  of  10.    

Drawn And Quartered/Feeding Hell's Furnace/Krucyator Productions/2017 Cassette Re-Issue Review


  Drawn  And  Quartered  are  a band  from  Seattle,  Washington  that  has  been  featured  before  in  this  zine  and  plays  a  very  dark  and  blasphemous  form  of  death  metal with a  blackened  edge  and  this  is  a  review  of  their  2012  album  "Feeding  Hell's  Furnace"  which  will  be  re-issued  on  cassette  in  December  2017  by  Krucyator  Productions.

  A  very  dark  and  ritualistic  sound  starts  off  the  album  before  going  into  a  very  fast  and  brutal  direction  which  also  uses  a  great  amount  of  blast  beats  while  the  vocals  are  mostly  deep  death  metal  growls  along  with  a  few  screams  that  add  in  a  touch  of  black  metal  and  the  fast  riffs  also  bring  in a  decent  amount  of  tremolo  picking.

  When  guitar solos  and  leads  are  utilized  they  are  done  in  a  very  dark  yet  chaotic  old  school death  metal  fashion  as  well  as  having  their  melodic  moments  along  with  the  riffs  also  bringing  in  a  great  amount  of  morbid  sounding  melodies  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  music  is  very  heavily  rooted  in  the  90's  and  always  remains  very  heavy  and  brutal.

  On  this  recording  Drawn  And  Quartered  remained  true  to  the  dark,  blasphemous  and  brutal  style  of  death  metal  that  they  are  known  for,  the  production  sounds  very  professional  while  the  lyrics  cover  death,  murder,  torture  and  anti  Christianity  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Drawn  And  Quartered  and  if  you  are a   fan  of  dark,  blasphemous  and  brutal  death  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Feeding  Hell's  Furnace"  "Horde  Of  Leviathan"  "Cryptic  Consecrations" and  "Seeds  Of  Insanity".  8  out  of  10. 

   

Tuesday, November 21, 2017

Asphodelos Interview

Stephan: Vocals Adrian: Guitars

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Stephan: No rest for the wicked. We’re continuing to write new stuff and have already started playing new songs on our shows.
Adrian: I want to add, that in „Black Sunset – a Division of MDD Records“ we found a reliable partner and label. Cooperation has been a real joy so far.

2. Recently you have released your first full length, how would you describe the musical sound that is presented on the recording and also how does it differ from the ep's you have released in the past?
Stephan: I think as a band we all have grown over the past few years in what we do, and this is reflected in “The Five Rivers of Erebos”. One of our focuses is to make longer songs more diverse. Harmonious variety is in our eyes especially important when writing them. Looking back at the EP “To the Grounds of Everwhite” there’s more black metal influence in most of our songs now, making the themes of our songs more distinctive and deeper. Also the vocals have evolved over the past years.
Adrian: All in all the music became more dark and melancholic. For me as songwriter it reflects also my personal taste of music and its genesis. But besides all new influences Death Metal is still the essence of what we do.

3.This is your first release in 4 years, can you tell us a little bit more about what has been going on during that time frame?
Stephan: Well, we had a little break right in the middle being caused by work and studies in different cities. As to the rest, we wrote a few more songs but we couldn’t really get to like them as much as we’ve hoped. So we rewrote some of them or dropped them entirely – maybe not forever but for now at least. Our main focus was to find out what we want to do as a band and to play a few shows.
Adrian: One problem was that I studied in Leipzig and the band is situated in Jena. It's not a big deal to get there but social environment changes when you live in different cities. And there were also times when we had to ask each other if it's still a good idea to keep the band alive. But after I moved back we lit the spark again and now here we are.

4.Some of your lyrics cover Greek Mythology, can you tell us a little bit more about your interest in this topic?
Stephan: Polytheistic religions are overall interesting because believers have a wider range of entities they can cast blame on haha. The stories around the Greek mythology however often reflect issues or topics that can easily be transferred onto our everyday life and they are intrinsically exciting story-wise. The struggle and the tales we found ourselves confronted with are more often than not also described in the tales of gods and monsters. It makes a great and interesting canvas to write songs on.
Adrian: I think Greek mythology and philosophy and many aspects of antique, Hellenic culture build a basis in many ways for Europe and the world. And so it's really exciting to engage with their mythology, because that reflects how people though, felt and struggled. And it's even more exciting to see analogies in today’s life. But as you mentioned in the question, the mythological topic is just one of many topics we deal with in our songs.


5.Originally the band was known as 'Hatred Within', what was the cause of the name change and also the meaning and inspiration behind the name 'Asphodelos'?
Stephan: Before we re-named the band to Asphodelos back in 2010, we realized a change in songwriting and lyrics. They’ve become deeper and darker. There was a change from almostmetalcore-ish influences to death metal and black metal. Hence, we couldn’t identify us with the name “Hatred Within” anymore.
The name Asphodelos describes a part of the Greek underworld – the Asphodel Meadows. Its grounds are covered with Asphodels – a flower as pale as death – which was often used in Wreaths covering graves. It's where ordinary souls are sent after their death to relive their daily grind for all eternity. We found this to be a monument to make something out of your life and to try as hard as you can to surpass yourself. Otherwise you’re just caught in between all your possibilities.
Adrian: I found the word in an historic novella in 2010. When I read about its meaning and different facets, I recognized that it's a perfect description for something existing between life and death. It's kind of a medium that connects the dead and the living, as in mythology so in real life.

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
 Stephan: I think there’s something about all of them we could mention. But for me there are two I like to remember: The first one was Metal March in 2012. It was a free entry metal concert and we played as the headliner. The crowd was amazing and the sound was great. With roundabout 500 metalheads in front of us it was our first gig that big.
The second one was the recent Zwiebel Assault in Weimar this year where we played with Master. We had a blast with the people in front of us, the resonance from them was really great and the sound was good too.
Performance-wise I think the main theme is just to let loose from everything else and just go with the music.
Adrian: Every gig had its own story. Some more suitable to be remembered, some less. But Zwiebel Assault was really a nice experience to play in front of more than 1000 people, what we usually not do every weekend. I was told for years to be stiff like a tree on stage. But rumors said it changed a little. Of course performance is an aspect that can create a special atmosphere between band and audience but for me it's also very important to play the music on a good level – even drunk and shitfaced, haha.

7. Do you have any touring or show plans for the new album?
Adrian: We have some shows for 2018 and some more are in the making. We will see what the release of our debut will bring.

8. On a worldwide level how has the feedback been to your music by fans of melodic death and thrash metal?
Stephan: Well “worldwide” would be great wouldn’t it hehe? Let’s just say after every gig we usually stay to drink something and to watch the other bands. And while doing so we come to talk to a few of the guests. And so far the feedback was cool.
Adrian: I have friends all around the globe that like our music but I wouldn't call that „worldwide level“, haha. But as Stephan mentioned the feedback after shows is usually positive. Nevertheless, we appreciate all kinds of feedback.

9.Where do you see the band heading into musically during the future?
Stephan: We continue to watch for diversity in our songs – for us and for the listeners. If something you hear keeps on exciting you, it can go on forever.
Adrian: I wrote most of the riffs except the guitar solos. And our music is always a reflection of what I'm listening to. I don't have concrete plans to develop our music in a special direction. The most important thing is that music is authentic and helps us to express ourselves where words fail.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Stephan: Regarding the vocals I have no idea. Writing Lyrics is something that is mostly influenced by books I read. In my youth I read many Books by Scott McGough and something about how he wrote I might have adapted in how I write the songs. The content of the lyrics is produced by current events, everyday life, something that moves you, you know?

Nowadays, as of right now, I mostly listen to Corroded, Diablo, Dissection, Disbelief and from time to time some Frank Sinatra.
Adrian: For me it's not only Metal that influenced or still influences me. Inspiration can be found in so many other kinds of music. It's not about a specific style it's about sharing something, an idea, a feeling, a dream, a fear. But for my personal genesis bands like Dismember, Immortal, Dissection, Grave, Dark Funeral but also Iron Maiden and Metallica inspired me to make music.

11. What are some of your non-musical interests?
Stephan: I like to socialize, more often than not that involves a certain amount of booze haha. I like to hang out with friends and be with my family. But I also cherish solitude. Reading books, writing lyrics, playing some computer games ... I used to do sports but can’t remember when I stopped. Soo…..Pizza?
Adrian: Talking crap, getting wasted sometimes, playing playstation and yeah... just common things, you know?

12.Before we wrap up this interview, do you have any final words or thoughts?
Stephan: Hey Mom! I’m in an interview!
Adrian: Support the Underground! Go to local concerts and support the scene! And Hails to all our friends in Rogash and Infest (Serbia)!